Continued sparse communication from the Burrow. Work has been frenetic, and all-consuming. (There have been furtive excursions in the company of a few hardy souls.)
But it's worth noting the pre-birthday gift Dr. Stukas recently sent via the sub-oceanic Wombat Pneumatic Post -- an audio "Wayback Machine" comprised of 40 songs from our wasted youth. It's like wandering into the WCWM lobby at any given moment during the latter half of the 1980s and hearing what the DJ might be playing, or (perhaps more accurately), hearing what's would have likely been on the record players --yes, actual LP record players -- of the folks down the hall.
Into the iPod it all went last night. What's even better is that I have no song titles to work with, so I'm either smiling with recognition on the subway (the droney jangle opening of The Feelies' "Slippin' (into Something)"; the harmonica of Lloyd Cole's "Undressed") or racking my brain to identify the indie rock of yesteryear (The Verlaines? My Dad is Dead? At least I knew the Chills cut right away). I didn't expect "Free Nelson Mandela" among the alterna-rock, but it's a perfect inclusion, a part of the musical texture of the moment -- and a better listen today than "Sun City", although I think that UB40s "Our Own Song" might hold up just as well.
The one that got me, though, funny to admit, is one that I've heard much more often in recent years than any of the others -- Tom Waits's "Cold Cold Ground." Everything about it -- the mournfully sprightly shuffle of the accordion, the growl in Waits voice not yet descended into the mannered snarl of his recent work, still very much the sound of a balladeer...and its unbearably unyielding insistence on the terminal condition of our existence.
Almost in tears when the doors opened at 14th St., I shambled up to the surface, blinking and feeling as if I'd emerged from a dream, wondering if it's a curse or a blessing that an upcoming birthday with a round number in it seems to be a perfect occaision for lots of mementos mori.
Anyway -- thanks, Art.